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all images: courtesy the artists, photo copyright: artfridge
Berlin likes to flirt with the idea of being the most important art capital in the world – but whether this 'brilliancy' reflects on the young professionals, is best to be observed at the annual degree show of the Universität der Künste (UDK) – the "Rundgang", as we call it. Opening nine campus locations for a long weekend to the public, the fine art studios at Hardenbergstraße 33 are presumably the most popular highlight.
In the German art academy system, students are allocated to only one Professor, subsequently forming a class until they reach their final degree. At the time of the Rundgang it usually shows, which classes develop a coherent curatorial room concept and which ones simply demonstrate an assemblage of lone warriors. Since the latter unfortunately holds the majority, it is even more obvious how rarely students let their works benefit from their peer's art and from a collective room concept. The class of Prof. Ursula Neugebauer, for example, did this beautifully: Each work – from the squeezed fishes by Eugen Wist, to a minimalist sculpture by Lukas Troberg, to the stitched bird's wing by Eva Elisabeth Wallner – had space to breathe. The class of Prof. Via Lewandowsky demonstrated a similar approach and convinced with several high quality spaces. Especially an installation piece by Claudio Campo-Garcia, who re-staged a sort of 'party-is-over' scene, seemed ironically perfect for the event of the Rundgang.
Perhaps the most outstanding room concept was done by the external curator and art critic Lukas Töpfer, who assembled students from the Eliasson- and the Lewandowsky-class in Room 91. With a focus on balancing the quiet and the loud, Töpfer arranged Fabian Knecht's crashed pianos to by confronted with Lilia Kovka's photography that shows a tattoo saying "BAM". Then, out of the blue, the original sound of the collision bangs throughout the room. Next to Room 91, the second backyard bears also two interesting solo presentations: Luca Vanello, a former Gregor Schneider student, presents an autistic array of building construction material and Julian Charrière, an Olafur Eliasson student, installed a space that couldn't allegorize the idea of crumbling planet any better (and any more beautiful, either.)
The process of decay and destruction, whether in Campo-Garcia's, Charrière's or Knecht's work, seems to be a prominent theme of the Rundgang 2013. There is also a sense of that in the work "Haus Etzweiler" by Katharina von Hagenow (Klasse Prof. Möbus), who dedicates her photo installation to a city that was resettled due to the construction of a cole mine. Franziska Wildt (Klasse Prof. Favre), on the opposite, presents a photo installation that takes the aesthetic of constructions to a level romanticism.
The state between the past and the future – it seems – is a state of construction, of confusion and of not knowing what comes next. Artists, and especially the young ones, often have a good sense of incorporating a contemporary mood into their work. And thus the Rundgang of the UDK very much mirrors what Berlin really is, and not what it would like to be: A place of change. And a place of chance.
Rundgang 2013
12. - 14. Juli 2013 (Sunday: 11-20h)
UDK
Fine Arts / Architecture / Workshops
Hardenbergstr. 33
10623 Berlin
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all images: courtesy the artists, photo copyright: artfridge